The Economist (now behind a paywall) had a couple of features last week claiming that music piracy was “in decline”. The claim was based partly on a survey of British internet users in which the percentage reporting usage of file-sharing networks declined from 22% in December 2007 to 17% in July this year. What it didn’t mention is that you don’t need file-sharing software to pirate music anymore since it’s all over the web in plain Googlable sight.
It also cited a Swedish survey in which 60 per cent of former file-sharers claimed to have cut down or quit, with half of them moving to the legal ad-supported Spotify. If such a free (or near-free) service is available in a country, it’s not surprising a bunch of people would quit bothering with piracy. But it’s hardly the case that the pirates lost: rather they won, cutting a lot of the commercial value out of music recordings and massively increasing the quantity people get to listen to.
A couple of good essays on the social and musical impact of piracy over the decade: Eric Harvey’s at Pitchfork is more detailed. But Jace Clayton – who as DJ /rupture is without a doubt on my list of top ten musicians of the decade – is able to be unambiguously celebratory in a way an industry advertising funded site can’t really be, and without lip service to ‘alternative business models’ blah blah blah.